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abstract thinking

When others hear I’m creating and exhibiting art, they most often remark, “Oh, you paint?” Until recently, I would smile and say, “No,” and then mumble something about collage, assemblage and how they might find my work a bit strange. Now, upon inquiry, I quickly reply that I’m working as a collage and assemblage artist before dissolving into my usual qualifying comments. I’ve had very little experience with painting. As a young artist, I preferred charcoal, pencil and pen. Oddly, though, it was one of my early paintings that earned a place in my parents’ home. (I was always a little embarrassed, because my instructor had painted all the “good” parts.) For some reason, my father loved that painting. I never knew why. I often wondered if he did. So recently, I was surprised when an old, discarded watercolor set provided inspiration for new works-- two abstract pieces devoid of figurative elements, each created solely in response to color, shape and form. ...

taking cover

A few months ago, I mentioned a project that featured an old wooden drawer, some glass yogurt jars and other recyclables. Surprisingly, a photograph from that project was selected for the cover of the current GreenCraft magazine.  For me, the project's “white and woodsy” tones suggest, what is now, an eagerly anticipated autumn.

time for tea

A few days of rain and cooler temperatures reminded me that one day soon, it will be time for tea.

measuring up

While I was selecting a few materials for an upcoming exhibit, I came upon some aluminum measuring spoons. When I saw them, I immediately thought of my grandmother’s set. On hot summer days it wasn't unusual to find me in her air-conditioned kitchen, spoons in hand, crafting an assortment of edible and “not so edible” creations. Over the years, blistering Texas summers have changed little, however my creative imagination has led me elsewhere. Now, I’ve designated spoons like these for a different purpose. Now, their grainy, scratched surfaces are merely objects of beauty.